Order a copy of Liberman (standard, deluxe or vinyl) now at http://www.vanessacarlton.com .
An unusual light shines through Liberman, Vanessa Carlton’s fifth album. Its ten songs, built on ethereal melodies and lush orchestration, seem to climb out of the shadows, each resonating with a sense of haunting positivity. The opening track, “Take It Easy,” instantly sets the tone, inviting the listener into a sort of sonic euphoria: each note and lyric thereafter builds on that aesthetic, creating an ongoing narrative that unfurls over its classic side A and side B.
“It’s a calm record,” Carlton says. “I didn’t want any angst in there. I thought, ‘What would I want to hear back? What would make me feel better in my darker times?’ Even a phrase like ‘take it easy,’ which is in a million songs, brings happiness. This album leans toward seeing the good in humans and in the world.”
Carlton began writing in the summer of 2012, beginning with “Unlock The Lock,” an evocative piano-driven track that set the tone for the songs to come. She’d recently finished touring 2011’s Rabbits On The Run, an album conceived through inspiration from Stephen Hawking’s A Brief History of Time and Richard Adam’s Watership Down. Carlton found herself in the desert and the song emerged, reflecting a newly revealing songwriting sensibility for the artist. “I imagined a group of people listening to it,” she says. “It was the first time I ever wanted to make something like séance music – something that would make a human brain feel at ease, something that would feel right in an everyday ritual. I also realized I wanted the record to be really soothing lyrically and not so much a reveal of me.”
The musician followed that thread as she continued writing for the next year and a half, this time inspired by books like Joseph Campbell’s The Power of Myth and Aldous Huxley’s The Doors of Perception. Carlton’s primary influence, however, was a colorful oil painting by her grandfather Alan J. Lee, who was originally named Liberman. The painting, created in 1963, hangs in Carlton’s home and showcases three woman captured in swirling pastel colors. She wrote many songs while looking at the image, eventually deciding to call the album after her grandfather.
“The swirly colors of that painting reminded me of the music and the music reminds me of those colors” Carlton notes. “Then I looked up what Liberman means and it’s ‘honorable man’ and ‘my beloved’ – all these things that just felt right to me. It’s a strong family name that, in a weird way, describes the music to me.”
At the end of 2013, Carlton gathered her songs and decamped to Real World Studio in Box, England to work with producer Steve Osborne, who’d helmed Rabbits On The Run. In the studio, Carlton and Osborne focused on the sound, on creating layers of instrumentation with classic gear that veer away from crisp pop production and reference artists like Air. For Carlton, who began her career with several albums at the mercy of prescribed aesthetics, emphasizing the art of space and sonic beauty felt like the next step. This shift is revealed particularly in the trippy ambience of “House of Seven Swords” and the moody “Ascension,” which builds a soundscape outward from the piano at its center.
Carlton rounded out the album in Nashville, the city she now calls home, with producer Adam Landry who worked on three tracks. Carlton’s husband, Deer Tick front man John McCauley, played on several songs throughout the process, including “Take it Easy,” "Ascension" and “Matter of Time.” The latter is stripped of instrumentation and highlights Carlton’s voice as it soars over McCauley’s delicately plucked electric guitar, reminiscent of the old school vocal recordings of Dusty Springfield. As a whole, Liberman feels like a new chapter in Carlton’s storied career, revealing new facets of her musical skill and instigating fresh inspirations. Stagnancy, she knows, is the antithesis to creativity.
“Martin Scorsese said sometimes your greatest challenge is not your failure but your success,” Carlton says. “In a way I was able to persevere after having a success out of the gate and figure out a path that feels really pure to me. But I had to create this environment where I felt comfortable changing. When I was first doing records I was so young and I wanted to please everyone. But now I sort of feel ancient and I love it and I just want to make art for its own sake. Whether I fall on my face or not at least I know I did it. Everything I’ve done and everything I am is there in the songs.”
Vanessa Carlton is excited to announce that she and special guest Tristen will be continuing their 2017 tour with a third leg of shows, kicking off on March 30th in Louisville, KY! Although some last minute dates may be added, this will be the third and final leg of Vanessa’s 2017 tour, so don’t miss your chance to see her! Get your tickets directly from Vanessa’s Fan Ticketing Page for a reduced service fee, and everyone who purchases tickets via Vanessa’s Fan Ticketing Page will automatically be entered to win meet & greet tickets in select markets. Additionally, with the purchase of a pre-sale ticket from the VFTP, you can add an autographed copy of Liberman Live to your order for additional savings! Get tickets here: http://bit.ly/1MMrJsY
Stick and rudder boys are pilots that learned how to fly without computers and simulation. (My best analogy is if you are a record producer you know how to cut tape and work all analog equipment in addition to fancy stuff like Pro Tools.)These pilots are the older guys. The ones that look like Captain Sullenber. My dad is a pilot. He's a stick and rudder boy too. These men are some of the finest pilots in the world. When the computers go out or when an emergency hits, they are able to think on their feet and use their senses in addition to using their technology. Water ditching is something that isn't simulated so most airline pilots have no experience making a move like this. The miracle of this flight is that on that day they got a pilot assigned that had the experience and knowledge and talent that Sully had. We just saw the movie and it was great. I didn't know that the aftermath of the landing was so horrible and stressful and that the Captain was scrutinized by the FAA until they could prove that he did indeed lose two engines. This event and this movie highlights what happens when a human being truly masters his work. Also the one random woman who decided to try and swim to shore in 30 degree water because she freaked out was VERY New York. I am so proud to be my father's daughter and I try and channel his discipline and work ethic in my own life. Thank you Sully and all of you stick and rudder boys. You are the best.
These are just a few of the services that planned parenthood provides us. You can take the religious angle here and blame abortion services as a reason to pull the plug on this whole ship but then you must also admit you are meddling with women's lives in a general way. The fundamental idea behind the Republican Party is to give the power to the people. To keep the government from meddling too much. Well, I can't think of a deeper hypocrisy here. Stop trying to micromanage me and my body Paul Ryan and co. I certainly don't tell you what do to with your balls. Please donate to planned parenthood. Link in profile.