News and random musings from Guster.
Ever since their humble beginnings at Tufts University, Guster have always sought to outdo themselves. They sell out New York’s fabled Radio City Music Hall one year and perform with the Boston Pops at Symphony Hall the next. They sell out a 33-date college tour, and this past spring founded the eco-friendly Campus Consciousness Tour, with buses powered by biodiesel and performances powered by wind power. It’s in this overachieving band’s nature to one-up itself.
So don’t expect it to be any different with the release of Guster’s new album, Ganging Up on the Sun. The Boston-bred band’s fifth studio release may be a melody-minded, breezy, free-spirited, literate pop record like its predecessors—2003’s Keep it Together, 1999’s Lost and Gone Forever, 1996’s Goldfly, and 1994’s Parachute—but this time around, Guster are “more fearless than ever before,” says singer-guitarist Ryan Miller. They’ve pushed themselves both stylistically and emotionally, resulting in their most confident and superlative work to date.
“This album has our loudest song (“The Beginning of the End”), our quietest (“Empire State”), and our longest (“Ruby Falls”). “One song has one of our most sincere lyrics (“Hang On”) and definitely some of our most cynical.” While Miller doesn’t cop to any specific lyrical themes (“I write a melody and words pop up around it”), he does note that most of the words were written against the backdrop of “a president taking a country to war based on some very dubious rationale.”
You can hear a thread of dissent in songs like “Captain,” “Lightning Rod,” “Manifest Destiny,” and “The New Underground.” “But I never want to be preachy,” Miller says. “I’m not telling you whose face to throw a pie in. I’m just trying to exorcise some frustration, some anger, and maybe a provide a channel for someone else’s frustration and anger.”
Ganging Up on the Sun’s sunny, driving-with-the-top-down melodies, vintage harmonies, and warm guitar jangle do recall artists you’d associate with the ’60s and ’70s—bands who also wrote during a time of war and societal mistrust of government—such as CSNY, Mamas and the Papas, Fleetwood Mac, the Band, the Rolling Stones, and Tom Petty. Are Guster wearing their influences a bit more on their sleeve this time around?
“The word ‘classic’ was used a lot throughout recording as a goal for the sound of this album,” singer-guitarist Adam Gardner says, “and it definitely has a more classic rock feel to it.” Adds Rosenworcel: “I think when we switched from the ‘just guitars and percussion’ shtick to using whatever was in front of us, we ended up sounding more like bands we were listening to.”
The shtick he’s referring to is Guster’s early years as a trio when, onstage, front men Miller and Gardner stuck to acoustic guitars and Rosenworcel played bongos with his bare hands. They’ve come a long way since then, and even added a member. Ganging Up on the Sun is Guster’s first album as a four-piece: Joe Pisapia, a Nashville-based multi-instrumentalist who played on Keep it Together and performs with them live, joined full-time when they began recording the new album.
“Joe is by far the best musician in the band,” says Miller. “He can play every instrument and has taken our level of musicianship up about seven notches. Brian, Adam, and I spent ten years together in rooms, buses, and vans—it means so much to have this new energy as part of our equation. It still feels very much like Guster, just a more confident, muscular, refined Guster.”
Not only did Pisapia add texture and oomph to the tracks by playing banjo, dulcimer, trumpet, and lap steel guitar, he also served as producer for half of the songs, which were recorded at Nashville’s Sound Emporium and completed at Pisapia’s home studio, Ivy League, from January to April 2005. The second batch were recorded later in the year at the secluded mountaintop studio Allaire in Shokan, New York, with Ron Aniello, who also worked on Keep it Together.
"I think in the back of my mind I knew we were writing our best material yet," says Rosenworcel. One of the highlights is the lead-off single “One Man Wrecking Machine,” which is about a guy who hates his life and wants to go back to “the good ole days” and hang out with his buddies, get high, and make out with the hottest girl in school, as Miller puts it. “I’ve had that fantasy my entire adult life,” he says, “Like, what if I had the confidence of a 30-year-old man as a high school sophomore?”
Another highlight on Ganging Up on the Sun is the seven-minute “Ruby Falls,” a celestial epic that features an uncharacteristic muted trumpet in the outro (“I listen to that solo and think ‘that’s on my record’?” says Rosenworcel). “Personally, I can’t wait to play ‘Ruby Falls’ live,” says Miller. “Not just because I love the song, but because I think there’s a power to it that may even be bigger than what we captured in the studio. Or I could be wrong and we’ll sound like the Carpenters.”
“I just love that our band feels unpredictable right now,” Rosenworcel says happily. “I love that no one knows what to expect from us.”
One Woman Wrecking Machine; a Guster Groupie Diary / Comic by Hazel Newlevant. Read her entire story at: http://newlevant.tumblr.com
What does Brian really think of Dunkin' Donuts?
gusterroadjournal.wordpress.com Oh yeah, the road journal. I used to write about my breakfast and stuff here. This morning I started wandering Mass Ave looking for something to eat. The first thing that was open was Dunkin’ Donu…
Guster on ice.
Bowling at Sacco's Bowl-Haven in Davis Square 'til 2:30. Come on by.
Thank you all for a fantastic first evening of Guster 25!
We met people who traveled all the way from California, Texas and Minnesota. We've got a few things happening today that we wanted to let you know about, some of which are open to the general public.
GUSTER AT THE BOSTON PUBLIC LIBRARY
Guster will be dropping by the WGBH studio at the main branch of the Boston Public Library (700 Boylston St.) for a live performance and interview at 1PM. The session will air live on WGBH radio (89.7FM or at http://news.wgbh.org/boston-public-radio), but you can watch it live in person. Just head over to the Newsfeed Cafe at the Boston Public Library.
LIMITED EDITION POSTERS
Be sure to drop by the merch area at The Paradise and pick up a commemorative poster. We've produced one for each night, but only printed 75 of each. We've also got limited edition Guster 25: Boston t-shirts. We've included a photo of tonight's poster below.
THE GUSTER MUSEUM
There's a Guster museum in the Paradise front lounge. It will be open for all four nights of Guster 25.
FYI: ABOUT YOUR MEET AND GREET LAMINATE
Did you pick up your meet and greet laminate? If not, you'll have another chance to pick yours up when you enter the Paradise.
Your meet and greet laminate DOES NOT count as a concert ticket. You still need to bring your physical / digital / print at home tickets each night.
New remix of "Satellite."
kickkicksnare.com Listen to premiere of "Satellite" by Guster remixed by Jordan XL, now available to stream on Kick Kick Snare. Check it out!